John Aslanidis—New York noise
by Jonathan Nichols JN: By 2003 you’d established the premise that you apply now, where you effectively paint intervals of sound or noise, right? Your paintings are non-objective in a way that...
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To be outside, to be inside, to be free, to be bound, to be
by Trevelyan Clay Walking up to Kate Newby’s ceramic wind chimes at Between being and doing, a group show at Utopian Slumps, I was aware that I wouldn’t be able to hear them clink in the wind from...
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Arthur Boyd: An active witness
by Suzette Wearne Lonsdale Street Roasters Saturday 13 July, 11.05 am Brother: What do you want to do after breakfast? Sister: I’m happy. Whatevs. B: Good, because I’ve prepared an itinerary. S: Let’s...
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Alien in the mix: Bryan Spier at Sarah Scout Presents, Justin Andrews at...
by Quentin Sprague Bryan Spier makes narrative abstraction. If this sounds like a contradiction in terms, it just might be. But it’s the kind of contradiction that allows an artist to work in an...
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Don Celender and The Kitchen
by Michelle Mantsio Portraiture study If you could have your portrait painted by a famous artist of the past, or present, whom would you select? Why? Don Celender Picasso. Because my eyes are on one...
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de for
by Lisa Radford In the last month or so, we have seen leaders change, policies align and disgusting decisions imposed on the most vulnerable. Decline seems to be our modus operandi. If an empire is...
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